ISSUE #4 • AUTUMN 2024

From the
Ground Up

Conversations about conservation, climate, and communities in New England.

Artwork by Samuel Peter Rolt Triscott (1846 – 1925) "In the Woods, Monhegan" circa 1900 - View Full Image
  • "It is a wholesome and necessary thing for us to turn again to the earth and in the contemplation of her beauties to know the sense of wonder and humility."

    — Rachel Carson, The Sense of Wonder

NOTE FROM OUR EDITORS

The climate crisis has exposed a need for a dramatically different, more integrated approach to conservation. While people have lived in reciprocity with land and water for millennia, unchecked development and destructive practices of the past century have threatened the natural systems and society itself here in New England and around the world. Each season, we share stories, conversations, research and perspectives that explore the inextricable connections between conservation, climate, and communities — human and wild. 

Our hope is to inspire action and support for policies and practices that protect New England’s Wildlands, Woodlands, Farmlands & Communities.

FEATURE • ISSUE 4

The Wildlands of Monhegan Island

Art, Ecology, and Landscape Preservation on a Maine Island

by David Foster

To the first-time visitor, Monhegan’s Wildlands are completely unexpected, remarkably wild, and notably subtle. Their history presents a captivating story of preservation and enduring stewardship by a small community—a story that should inspire every conservationist and land trust in the United States. Fortunately for everyone interested in wildland conservation and New England landscapes, this history is now beautifully conveyed in a richly illustrated volume produced by the renowned art publisher Rizzoli. The new book, Art, Ecology, and the Resilience of a Maine Island: The Monhegan Wildlands, features many artists who have over the years visited and painted on Monhegan, among them some of the country’s greatest landscape artists. The book is reviewed in our Bookshelf section. An accompanying exhibition of original art, photographs, maps, science objects, and historical documents will open in December at the Bowdoin College Museum of Art in Brunswick, Maine.

FEATURE • ISSUE 4

An Open Question in Orange

by Cathy Stanton

On a spring day in 2015, a miniature country fair sprang up in the parking lot of an old bank in the center of Orange, Massachusetts. There were farmers selling seedlings, gardeners from a local youth program serving up salad, volunteers offering tastes of local cheese and pickles. A magician with a long red beard made balloon animals. There was live music and a parade with big stars on sticks, borrowed from the committee that organized the town’s annual New Year’s celebration. It was earnest and homegrown and hopeful in all the ways that a lot of small-town festivals are.

This one was celebrating the opening of a new food co-op in the old bank. Formed as a seasonal buying club five years earlier, the North Quabbin Community Co-operative had been incubating in a tiny volunteer-run store in one of Orange’s many old factory buildings.

FEATURE • ISSUE 4

Bringing Back Bobolinks

New England Farming, Biodiversity, and Soil Health

by Caro Roszell and Brian Donahue

What can agricultural land contribute to protecting biodiversity? Much of modern farming, in order to succeed in a highly competitive marketplace, features intensive land use that is simplified to maximize production. There is not much habitat for wild species in a field of corn.

But what about more complex agricultural landscapes, such as those described by Conrad Vispo in the last issue of From the Ground Up? These were once home to beloved grassland birds and other open land species associated with diversified smaller-scale farming—a landscape that itself is in long decline.

We could view such species as interlopers that migrated here during a few centuries following the removal of native forests, say they don’t really belong, and be content to watch them fade away.

Conversations

Chasing Nature, Chasing Hope

A Conversation with Bryan Pfeiffer: Naturalist, Writer, Photographer, and Boy Explorer

by Liz Thompson

I’ve known Bryan Pfeiffer for at least 35 years, since his days as a reporter for the local paper in our mutual hometown of Montpelier, Vermont. He covered politics, the environment, and when he could, nature. One day in the 1980s he excitedly showed me a picture of a plant he’d found in a weed lot near my home, and he asked me what it was. “Teasel,” I told him. The next day his beautiful photo of what some might call a homely weed appeared on the front page of the paper with the caption “Teasel Time.” That was when I knew we’d be friends for life.

Yes Farms, Yes Food

A Beacon of Hope for Local Food Access

by Maddie Kempner

You’ve seen the bumper sticker: “No Farms, No Food” or perhaps its positive inverse: “Yes Farms, Yes Food.” Both are reminders—or maybe warnings—pasted onto the back of any number of Subarus and pick-up trucks around New England gesturing to the connection between working farms and the food we eat every day. It's an important message (our members certainly drive with bumpers adorned), and while memorable in its simplicity, it begs some questions. What kind of farms? And where? Food for whom, exactly?

Policy Desk

© Adam Zyglis, The Buffalo News, NY

Supreme Court Overturns Chevron Doctrine

Implications for Climate and Conservation

by Patrick Parenteau

The recent decision by the United States Supreme Court to overturn the Chevron doctrine has broad and frightening implications for the conservation goals of Wildlands, Woodlands, Farmlands, and Communities. To achieve our vision, land conservation and government regulation must work hand in hand. This decision severely limits the latter. To offer readers a better understanding of this, we asked Professor Patrick Parenteau, a legal scholar, to interpret the decision for us. 

Conservation in Action

One Wildland at a Time

Storytelling, Social Media, and How We Experience the Wild

by Richard Farrell

Is it possible to preserve wildlands in the face of pressure from social media promoting a vision of tourism that values conformity, comfort, and safety above a person seeing and reacting to nature independently?

My lifetime working with a small land trust may give some clues to the answer. I live on Monhegan Island, a small island off the coast of Maine. Monhegan’s beauty, its incomparable light, and its cliffs battered by Atlantic storms all feel like a part of my being. In the 1950s a few residents—who saw the island’s wildlands as remarkable—joined a wealthy summer visitor in creating Monhegan Associates, a land trust charged with preserving the island’s forests, meadows, and cliffs.

Read, Watch, Listen

The Bookshelf

Essential reading from our editors and contributors.

ARTWORK BY JACO TAYLOR
ARTWORK BY JACO TAYLOR

Bulletin Board

Events, updates, and announcements from our partners and friends from around the region.

Want to join the conversation?

We invite your questions, reactions, debates, suggestions, and contributions. Our editorial team is committed to expanding the chorus of voices needed to safeguard the health, resiliency, and vibrancy of New England’s communities—both human and wild.

Reflections

Artistic expressions that reflect Nature's complexity, simplicity, and beauty.

View from Little Ascutney, Watercolor on paper, © Amy Hook-Therrien

Ndakinna

A POEM BY JOSEPH BRUCHAC

You cannot understand
our land with maps
lines drawn as if earth
were an animal’s carcass 
cut into pieces, skinned, 
divided, devoured— 
though always less eaten 
than is thrown away. 

See this land instead 
with the wind eagle’s eyes, 
how the rivers and streams 
link like sinew through a leather garment 
sewed strong to hold our people,
patterns of flowers 
close to the brown soil.

© Pro Silva

Lie Down: A Forester’s Directive

A POEM BY ROBERT T. PERSCHEL

Lie down and let the falling leaves cover your garments
If you time it right
You can disappear
In minutes
This isn’t shinrin-roku,
Or the next big thing to settle your mind
No one does this
It doesn’t have the dry husk of ritual
If it’s a forester’s communion
It’s not your first
And while it may be your last
That’s not for you to decide.